![]() © 2017 The Trustees of Columbia University in the City of New York. Wee Kim Wee School of Communication and Information This article casts a critical eye over South Korea–initiated inter-Asian coproduction of espionage films produced during the time, with particular reference to South Korea–Hong Kong coproduction of SOS Hong Kong (SOS Hongk'ong) and Special Agent X-7 (Sun'gan ŭnyŏngwŏnhi), both produced and released in 1966. While the Cold War politics that drive the narrative in the American and European films is conspicuously absent in Hong Kong espionage films, South Korea and Taiwan, on the other hand, explicitly promulgated the ideological principles of their apparent enemies, North Korea and the People's Republic of China (PRC), in their representative espionage films. Under this political atmosphere in the regional sphere, cultural sectors in each nation-state, including cinema, voluntarily or compulsorily served as an apparatus to strengthen the state's ideological principles. In the US-driven Cold War political, ideological, and economic sphere, developmental states in the region, particularly South Korea and Taiwan, vigorously adopted anti-communist doctrine to guard and uphold their militant dictatorships. Since the regional political sphere has always been multifaceted, however, each country approached genre conventions with its own interpretation. No (1962) and Goldfinger (1964)-along with French, Italian, and German copycats-in Asia, film industries in Japan, Hong Kong, Taiwan, and South Korea recognized the market potential and embarked on churning out their own James Bond-mimetic espionage films in the late 1960s. Īs the apparent progeny of Cold War politics in the West, espionage films witnessed unprecedented popularity around the globe in the 1960s. ![]() Destination Hong Kong : the geopolitics of South Korean espionage films in the 1960s. French Operative OSS 117 goes to Cairo to pursue the murder of his fellow agent amid Cold War tension.įrequently cited as their favorite spy movie by intel insiders: This film features Robert Redford and Brad Pitt and does a great job depicting recruitment.Destination Hong Kong : the geopolitics of South Korean espionage films in the 1960s Meet a dazzling super agent who isn’t James Bond. Tom Cruise plays Ethan Hunt, an American secret agent under false suspicion of disloyalty, who must discover the real spy within his organization. ![]() Get up close and personal with a Stasi surveillance officer in East Berlin. Discover the true story in the Museum’s “ Spies and Spycatchers” Gallery. This film focuses on a young FBI operative, Eric O’Neill, working close with traitor Robert Hanssen as the FBI investigation closes in. The story of US congressman Charlie Wilson and CIA operative Gust Avrakotos who organized and supported the mujahadeen against the Soviets. Watch this cinematic spy tale is featured in the Museum's “ Spies and Spymasters Gallery” and includes the Babington plot, Spanish Armada, and Queen Elizabeth’s worst cousin: Mary Queen of Scots. Our favorite Spy Museum founding board member Tony Mendez is immortalized here by Ben Affleck.ĭuring WWII, Nazi Operation Bernhard was a plan to destroy the British economy with forged pound notes.Īll Hail Queen Elizabeth I and her spymaster Sir Francis Walsingham. Watch Tom Hanks in this fantastic movie about a tricky spy swap. ![]()
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